![connor shafran](/img/default-banner.jpg)
- Видео 15
- Просмотров 927 888
connor shafran
Германия
Добавлен 23 май 2016
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What I Know – for Solo Percussionist & Scripted Looping
More info about the piece: connorshafran.com/whatiknow
Performed by Justin Lamb
Composed and programmed by Connor Shafran
Commissioned by
Justin Lamb Chris Amick Trevor Barroero Justin Bunting Omar Carmenates Andrew Eldridge Chris Harris Leila Hawana Kanda Cameron Leach YoungKyoung Lee David Lord Marco Díaz Pérez Matthew Sandridge Rick Schadt Sam Sherer James Vilseck Jordan Walsh
Performed by Justin Lamb
Composed and programmed by Connor Shafran
Commissioned by
Justin Lamb Chris Amick Trevor Barroero Justin Bunting Omar Carmenates Andrew Eldridge Chris Harris Leila Hawana Kanda Cameron Leach YoungKyoung Lee David Lord Marco Díaz Pérez Matthew Sandridge Rick Schadt Sam Sherer James Vilseck Jordan Walsh
Просмотров: 853
Видео
MATO Continuous (Official Tutorial Pt.1) - Advanced Mapping Control for Ableton Live
Просмотров 651Год назад
🚩 Download MATO here: connorshafran.com/mato 🌍 Support me on Patreon and join my Discord server: patreon.com/connorshafran 🎛️ Part 2: MATO Toggle: ruclips.net/video/wNj9Tdjyfjw/видео.html 00:00 Introduction 01:14 Overview & Mapping 06:16 Takeover & Curves 09:36 Fixed Position vs. Infinite Spin 13:17 Min / Max / Exp 15:28 Automation Mode 24:30 Return to Automation 29:54 Secret Dial 32:52 Conclusion
MATO Toggle (Official Tutorial Pt. 2) - Advanced Mapping Control for Ableton Live
Просмотров 259Год назад
🚩 Download MATO here: connorshafran.com/mato 🌍 Support me on Patreon and join my Discord server: patreon.com/connorshafran 🎛️ Part 1 - MATO Continuous: ruclips.net/video/FAm2qpi2HrQ/видео.html 00:00 Introduction 00:30 Overview 02:53 Toggle Mode vs. Button Mode 05:47 Outro
connor shafran | « avawam » | Live Looping with Ableton & ClyphX
Просмотров 5 тыс.Год назад
🌍 Support me on Patreon and join my Discord server: patreon.com/connorshafran As always, I refrained from using ‘backing tracks’, i.e. pre-recorded material, in this performance. Everything in the song is played and looped back live, in real-time. That is to say: if I didn’t play anything, you wouldn’t hear anything. But you might notice that I’m not using a foot-pedal or any kind of controller...
connor shafran | « ovalöwl » (live) | @meridianhandpans
Просмотров 192 тыс.2 года назад
🌍 Support me on Patreon and join my Discord server: patreon.com/connorshafran Filmed at the Meridian Handpans Workshop in Bristol, UK Played on Meridians: D Celtic & E Amara w/ internal pickups // Scripted looping with ClyphX Pro and Ableton Live (no pre-recorded audio)
connor shafran | (not so)Live Stream Concert | Handpan Day Festival 2021
Просмотров 2,1 тыс.2 года назад
🌍 Support me on Patreon and join my Discord server: patreon.com/connorshafran A full re-upload of my digital concert for the 2021 International Handpan Day Online Festival. Performed live using Ableton ClyphX // scripted looping. SUPPORT HCU (Handpan Community United): hcu.global/ Handpan Day: www.handpanday.org/ Titles - 00:00 Part 1 - 00:16 Part 2 - 09:10 out of breath, can't words - 15:18 Pa...
connor shafran | « ovalöwl » | handpan/ableton/clyphxpro/scriptedloop
Просмотров 2,3 тыс.3 года назад
A collaborative project with The Base (Aachen) and Permanent Aktiv. All sounds/loops/effects were recorded and performed in real-time using Ableton & ClyphX Pro. Flood lights were triggered from Ableton with a Max/MSP patch. Overhead LEDs were performed live by Janusz Kendel. Instagram: connorshafran Camera: Cedric Ernoult LEDs: Janusz Kendel / Permanent Aktiv perman...
connor shafran | « hold » | (Livestream Performance from Thomann’s Online Music Festival)
Просмотров 4,9 тыс.4 года назад
Thanks to Thomann Music for hosting this online music festival! I'm honored to have been a part of it. This is a re-upload of my set where I premiered my new track, "Hold." All of the sounds you're hearing are being performed live using Ableton and ClyphX Pro. There is no pre-recorded music or backing-tracks. The Full Concert with can be viewed here on Thomann's page: ruclips.net/video/HO8dbCcN...
connor shafran | live-stream concert from my bedroom
Просмотров 2,5 тыс.4 года назад
From my 'concert' at the Selina International Music Summit. Using Ableton and ClyphX Pro scripts, I can create live performances like this without using any pre-recorded music. Instead of playback, I tell the software exactly when to record from certain mics/inputs, and when to play those samples back. Those samples might also get reversed, chopped up, delayed, quantized, side-chained, or anyth...
connor shafran | « s e t / s w a y » | handpan & ableton performance
Просмотров 1,5 тыс.4 года назад
I recently had the great fortune of borrowing a pan made by Jan Borren (9-note F minor) and decided to dedicate an entire day to writing and recording a song for it. Additionally, on the left is a Pantheon Steel Halo C Integral and on the right, an Aura C# Raga Amuda. Follow my Instagram for more regular updates connorshafran Download my Handpan Sample Library for music production...
BINK Looper Tutorial - Scripted Looping
Просмотров 60 тыс.4 года назад
🌍 Support me on Patreon and join my Discord server: patreon.com/connorshafran BINK Looper is a free Ableton plug-in used to facilitate advanced looping techniques. With this device, you can pre-program loop length, as well as the amount of time it waits before triggering the loop. Using neighboring effects channels and dummy clips, you can also use this technique to automate effect automation i...
connor shafran | « attention compression »
Просмотров 6 тыс.4 года назад
original song © connor shafran this is a live performance using ableton bink looper there are no pre-recorded loops; everything is being played in real time many thanks to georjie adams, mathieu keith, and dirk heilmann without you, everything i make would be worse and a special thanks to frank wienk (binkbeats) for making the software that made this music possible like many artists right now, ...
connor shafran | « soon this air will be too thin »
Просмотров 10 тыс.4 года назад
Join my Patreon community: www.patreon.com/connorshafran/ original song © connor shafran performed live using ableton bink looper all sounds / loops / effects are occurring in real-time camera: rendra mahendra, dirk heilmann ig: connorshafran
Falcon Heavy #2 (SpaceX) Launch & Landing
Просмотров 612 тыс.5 лет назад
On April 11, 2019, SpaceX successfully launched their second Falcon Heavy and landed all three boosters safely. I do not own any of this content. Other than just condensing the footage, I did make a few noticeable edits near the end when the video feed lost connection; however, they're only to assist the pacing of the video and in no way change the meaning of the content. Music by Whitesand - "...
Over the Rainbow - Marimba Solo, Arr. Robert Oetomo - Performed by Connor Shafran
Просмотров 28 тыс.8 лет назад
Based on the iconic song from The Wizard of Oz, this jazzy rendition of Somewhere Over the Rainbow disguises the famous melody in unique harmonies and creative dissonances. IG: @connorshafran
I also play in socks, amazing work!
Bravo!!!!! Love the textures, rhythms, structure and transitions! A master at work! Huge fan of your work mate!
Been following you for a while now! You are a true artist and a huge inspiration to me! All you do is so good, very professional, always interesting both for the ears and eyes! Keep creating great videos! Love your work!
❤
this is absolutely top shelf
Das gute Zwergenwiese Glas! Wirklich toller Auftritt.
this is many years of deep musicianship in many ways happening right here--brilliant work man
Dude this is genius! thanks!
amazing!!
Great reminder thank you
I have a problem with the delay function. If i have the delay turned on(and in the right position in the dummy clip)The binklooper won't let me record using the dummy clip unless i start the clip at the exact same time session view(e.g. Pressing space to start with the clip pre selected) If i do not do this and press the dummy clip mid performance, the clip never starts recording at all.
Awesome composition and performance! Congrats!!!
wow!
Gobsmackingly beautiful and brilliant and so utterly simple conceptually that it almost defies reality. Listening with headphones, this performance is unbelievably immersive and quite emotional... there's something about how we all grew up banging on things like tabletops and now seeing the ultimate manifestation of that. Just pure joy here... takes me all the way back to childhood. My guess is that this is accomplished with your Python scripting in Ableton Live technique but for the life of me I cannot figure out how Justin hit those marks and how this is even humanly possible. BRAVISIMO!!!!!!!!
Thanks for the kind words - I'm happy you enjoyed it! The original idea was to build it in Ableton (with ClyphX Pro), but I also wanted to make it accessible to people who don't have Ableton. Additionally, I wanted to build a custom user interface so that everything is specifically tailored to the piece. For that, I used Max/MSP (Cycling 74) to build a stand-alone application that anyone can download and run on their computer.
@@connorshafran Who I'd never even heard of Max, and love it! "A Playground for Invention" indeed! Will look into that more... coincidentally in my past life I invented another software named Max that was also a playground for invention... 3ds Max.
amazing!!
Awesome piece Connor!
I liked this before the sound even started. Didnt have to wait to know this was going to be incredible
Heck yeah! Kudos to both you and Justin. I love this piece
Wow, stunning composition and performance, it must have been a great challenge to play this so perfectly aligned that the illusion really comes across. At first, I thought you somehow managed to capture the position on the table and transform it into information on how to vary the DSP effects. Even more impressive to find out it is all pre-setup automation you have to precisely match during the live performance.
Motion-capture would also be an interesting way to do it, and also technically very challenging. Sounds expensive ;) Automation + click-track is more reliable and consistent.
@@connorshafran Oh, didn't think of motion-capture, that'd also be an interesting way, but yes: sounds expensive... Another way could be to position a camera from above, feed its stream into your computer, use image processing tools to detect the position of the hands and the edges of the table and convert that into Midi information to feed into the DAW, e.g. calculate the distance to the edges and have the left edge set to a min value and right edge to a max value etc. But, yeah, that's probably technically challenging to setup (and it has to be real-time). It would help to stick some post-its to the back of the hands such that tracking is easier ;) Another way could be to build a whole table equipped with sensors that are pressure-sensitive, like a giant midi controller. Just fantasizing...
@@Splines It's possible to use a camera from above, but it would need to have *very* consistent lighting conditions, and probably wouldn't be very reliable. Would also need some kind of external software to handle the pixel analysis, and then that data would need to be sent to the audio software, which would cause extra latency. But more importantly... mounting the camera above the player so that it doesn't move at all and doesn't distract from the performance - that would be the biggest challenge!
That’s simply amazing. Thank you for great performance ❤
History
This is Great!
Great tutorial thanks
As said: Great vid. Good explanation. Only one question. Every former track is still armed after arming the next track. As long as you're using different midi instruments for input, this doesn't matter. But if you want all the input from the same midi device it's becoming a little messy. Changing the prefs doesn't affect this. Any idea to solve it?
Great. Straight to the point. Thanks.
Huge thank you! Greetings from Bogotá, Colombia.
it's et cetera, not ex cetera
Hi Connor, thank you for tutorial, very helpful! I am going crazy over one part though.. at 13:02 you copy a dummy clip to another track and for you the envelopes get copied with it. I can not get that to happen. The envelopes get copied when I stay within one track, but as soon as I go horizontal with my copying, it doesn't transfer the envelopes over. Any ideas?
1. Make sure you have automation lock turned off. 2. The channels need to have exactly the same plugins. If the channel you're copying to has different plugins (even just slightly different), it won't copy correctly.
That's why I love working with technology, it's incredible!
Thank you so much!!! This is exactly what I was looking for!! ❤🙏🤘
state of the art Ableton programming and outstanding performance! Are you programming the light changes also?? I really enjoyed watching this clip, hope to see you live someday
Thanks :) Yeah, I made a M4L device that sends DMX to the lights. Check out the Enttec USB-DMX adapter.
this is so genius.. thanks for sharing my man do you happen to have a trial before buy?
Sorry, no trials, because it's a M4L plugin. But there is a discounted option if money is tight.
💓
I'm so stoked to have just stumbled upon your work. Truly incredible.
This is so next level,found this through podcast,headphones only here,thanks for your music and technical skills
Phenomenal performance. Love the way the lights are synced.
Very dope! Problem solved. Bravo man. Now... any chance you got a build that is stable for Ableton 9? 😅
great performance! your complete mastering of ableton looping tecnhiques it's impressive
Thanks for making this video
Brillante, Connor Shafran, eres un gran descubrimiento para mi, un gran saludo👏👏👏🙏
I’m gonna buy this right now, it is absolutely amazing!!!
listening to your tracks is like a time machine to your stormy performance at "Griasdi".... It will be unforgettable to freak out there while dancing 😊 Thank you!
this is so hard to accomplish
Yoooo came back to say I just dropped my first Live Looping performance video and it was largely due to this video! Thank you for such a detailed tutorial <3
Great video! How do you deal with latency, when running through ableton? do you just have a killer laptop/computer and keep it 32samples or is there a hack to this? :)
Presonus Quantum 26x32 interface (thunderbolt). 128 samples buffer size. I have 6 ms round trip latency. Also, don't use any plugins that add latency.
❤ i love it
awesome!!!!!!!!!
So sick!
Same as for the continues device, WOW! That "basic logic" wasn't possible natively in live has always baffled me. Can see a ton of possibilities here, will surely try this out right away :) Thnx!